WT: 1.0 Size: MEDIUM
Making Breakable Containers |
Language: | Common Tongue |
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Item Type: | Book |
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Stackable: | No |
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Merchant Value: | 0 pp 0 gp 0 sp 1 cp |
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Lucy Entry By: | Tanliel |
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Item Updated By: | SwiftyMUSE |
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Source: | Live |
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IC Last Updated: | 2021-12-29 10:58:50 |
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Page Updated: | Tue Aug 25th, 2009 |
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| Average Price: No Data Pricing Data... | Rarity: Common | Level to Attain: 1 |
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[Book Text | Merchants | Comments ]
Merchants Vendor listing - Premium only
Text:
Making Breakable Containers
by Hiloan
This isn't something that I
get a lot of call for, but
considering that I was
forced to do this research,
I may as well share it with
all of you just in case you
suffer the same demands
that I did.
Some people think that it
is a good thing to throw
pottery at other people.
I, of course, find it
shameful and wasteful. I,
therefore, developed a
bottle just for such
lunacy. My fervent hope is
that these bottles will
replace vials, mugs, steins
and other lovely drinkware
in experiments by lunatic
alchemists. Surely you
know one yourself.
I have designed three
sketches that should
suffice. One is a simple
bottle with indentations
for fingers to grip. The
sketch is almost
superfluous, as anyone can
simply grasp the bottle
near the end of its
creation, but use it anyway
to be safe. The second
sketch is for a spherical
bottle. It seems that a
round object is easier to
toss for a greater distance
than a simple bottle, no
matter how easy it is to
grip. Of course I thought
to combine the two ideas
and have devised a sketch
for a spherical bottle with
grips for fingers. The
lunatic alchemist seemed
most pleased with this
design.
The only other
consideration was that the
bottles did not break
easily enough for
pottery-flinging fools.
The spherical ones, in
particular, proved rather
sturdy. I tried to infuse
air into the clay, hoping
to leave the product more
fragile, but all attempts
to do so produced very
unreliable results. Then I
discovered this spring
water, brought to me by an
adventuring friend of mine.
It bubbles constantly! If
you work with this water
instead of the usual stuff,
you will find that you can
work even amounts of air
into the clay for a rather
uniform result. I found
this to work well, but not
well enough. The mixture
needed something gritty
that would fail to blend
well with the clay
(horrible idea, I know). A
kirin horn, ground
properly, will do this
nicely. It makes the clay
more likely to break up on
impact.
Once you have created the
bottle, fire as usual.
Then hide the good pottery
and call over your
alchemist friend. Give him
enough of these bottles to
keep him busy for a few
weeks so that you can get
back to work
Book Text:
Making Breakable Containers by Hiloan
This isn't something that I get a lot of call for, but considering that I was forced to do this research, I may as well share it with all of you just in case you suffer the same demands that I did.
| Some people think that it is a good thing to throw pottery at other people. I, of course, find it shameful and wasteful. I, therefore, developed a bottle just for such lunacy. My fervent hope is that these bottles will replace vials, mugs, steins and other lovely drinkware in experiments by lunatic
|
| alchemists. Surely you know one yourself.
I have designed three sketches that should suffice. One is a simple bottle with indentations for fingers to grip. The sketch is almost superfluous, as anyone can simply grasp the bottle near the end of its
| creation, but use it anyway to be safe. The second sketch is for a spherical bottle. It seems that a round object is easier to toss for a greater distance than a simple bottle, no matter how easy it is to grip. Of course I thought to combine the two ideas and have devised a sketch for a spherical bottle with
|
| grips for fingers. The lunatic alchemist seemed most pleased with this design.
The only other consideration was that the bottles did not break easily enough for pottery-flinging fools. The spherical ones, in particular, proved rather
| sturdy. I tried to infuse air into the clay, hoping to leave the product more fragile, but all attempts to do so produced very unreliable results. Then I discovered this spring water, brought to me by an adventuring friend of mine. It bubbles constantly! If you work with this water instead of the usual stuff,
|
| you will find that you can work even amounts of air into the clay for a rather uniform result. I found this to work well, but not well enough. The mixture needed something gritty that would fail to blend well with the clay (horrible idea, I know). A kirin horn, ground properly, will do this
| nicely. It makes the clay more likely to break up on impact.
Once you have created the bottle, fire as usual. Then hide the good pottery and call over your alchemist friend. Give him enough of these bottles to keep him busy for a few weeks so that you can get
|
| back to work.
| |
|